leewoodman:

Meditation in Red

Lee Woodman 2014

Installation for Canopy Design in Lucas House, Nelson, NZ

leewoodman:

Meditation in Red 2014

An installation in a new space for Canopy Design

thecuratorcurator:

chiharu shiota
#art #installation

f-l-e-u-r-d-e-l-y-s:

Robert and Shana ParkeHarrison

 We  create works in response to the ever-bleakening relationship linking humans, technology, and nature. These works feature an ambiguous narrative that offers insight into the dilemma posed by science and technology’s failed promise to fix our problems, provide explanations, and furnish certainty pertaining to the human condition.  Strange scenes of hybridizing forces, swarming elements, and bleeding overabundance portray Nature unleashed by technology and the human hand.

  At once formally arresting and immeasurably loaded with sensations — this work attempts to provide powerful impact both visually and viscerally.

(Source: asylum-art, via mourningtone)

everything was spinning
everything was made
of particles of light.

-Christina Conrad

'Arum', by Anne Rush 2008
Read more about here.
twoism13:

David Hammons | “Cold Shoulders” |  1990

twoism13:

David Hammons | “Cold Shoulders” |  1990

(via kleidersachen)

heathwest:

Richard SerraIntervals, 2013 Weatherproof steel, 24 plates 72 x 336 x 570 in.

heathwest:

Richard Serra
Intervals, 2013
Weatherproof steel, 24 plates
72 x 336 x 570 in.

(via gregoutthere)

soalreadytaken:

Other Side, Chiharu Shiota

likeafieldmouse:

Carsten Nicolai - Moiré Tape (2010)

artlistpro:

To Live On by Min Jeong Seo.

via artruby:

(Source: iovblog)

pikeys:

My Red Homeland, 2003 by Anish Kapoor

this work replicates the role of the artist - in this enormous circular sculpture, a large motorised steel blade slowly cuts a course through 25 tons of red wax, endlessly dissecting and re-shaping it into new forms.

(Source: pikeys, via derdoppelganger)

likeafieldmouse:

Alexandra Ranner

"Ranner’s impenetrable interior models radiate an oppressive aura of alienation and isolation, which she heightens by erecting them as free-standing constructions. Consequently, visitors can only view the interiors from the outside – as if they were looking at paintings. The spaces are reminiscent of sets where a scene has just been played out, or is about to begin. This makes for a theatrical feel. But because the interiors are completely devoid of distinguishing personal features, they are also utterly anonymous – much as most hotel rooms are. Through her installations, Ranner exposes a typically modern void: the loneliness resulting from detachment."

(via derdoppelganger)

JAVIER PÉREZ

Carroña, 2011
Murano glass, stuffed crows
Installation of variable measurements

JAVIER PÉREZ

El baile del infinito, 2003
2 women dresses in cotton fabric (450 cm. high ea.)
Motorized mechanisms with musical carillons, red sand 
Installation of variable measurements
View of the exhibition: “Javier Pérez”, ARTIUM, Centro-Museo Vasco 
de Arte Contemporáneo Vitoria, Spain 2003